5/5 · namrata srivastava · 2026-09-11
One stop for wooden jewellery
One stop for customized hair accessories and hand crafted wooden earrings. Worth a buy!
Chandrakalakriti
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📹 Film your unboxing. Start recording before you open the parcel. We can't process a damage, missing-item or wrong-item claim without the video.
💬 Tell us within 48 hours. Send the video and photos on WhatsApp to +91 98301 50088 or by email to reachchandrakalakriti@gmail.com.
📦 We arrange the return. Reverse pickup where available, free for damaged, defective or wrong items. Items must be unused and in their original packaging.
💳 Refunds go back to your original payment method within 7–10 business days of approval. Exchanges are subject to stock.
✋ Every piece is handcrafted, so we can't accept returns for a change of mind.
A Boxwood disc covered edge to edge with hand-engraved flowers and butterflies — no border, no empty ground, no repeat.
Madhulika means nectar. It is the right name for this piece, because nectar is the thing the engraving is really about: it is what draws the butterflies to the flowers, and it is the reason the two belong on the same surface.
The disc is roughly 4 cm across, hanging from a plain hook. There is no second element and no colour contrast. Everything happens on the surface.
Most engraved jewellery places a motif in the middle and leaves the rest plain — a flower centred on a disc, framed by empty wood. Madhulika does the opposite. Blooms, buds, leaves, butterflies and stippled ground run right out to the rim on every side, so the pattern reads as a fragment cut from something larger rather than a design placed on a circle.
That is much harder to execute. A centred motif can be positioned once and worked outward, and any wobble at the edges is hidden by the plain border. Cover the whole face and there is no border to hide in: the cutting has to stay clean all the way to the point where the surface curves away, on a disc small enough to sit in a palm.
The butterflies are the most demanding part of it. A petal is a broad shape and forgiving of a heavy line; a wing is not. Wings need fine, even strokes to read as membrane rather than as leaf, and they sit among the flowers rather than apart from them — so the eye has to be able to separate insect from bloom in a composition where everything touches.
The depth of the cut is what gives the piece its colour. Engraved lines hold shadow while the raised surfaces catch light, so a single wood in a single tone reads as two — pattern in the recesses, warmth on the face.
Boxwood is the classical engraving wood. It is dense, pale and exceptionally close-grained, and for centuries it was the timber engravers chose precisely because it holds fine detail without the fibres tearing along the grain. Work this dense — petals, stamens, stippling, leaf veins and butterfly wings, all within a few centimetres — is only possible on a wood that fine.
With a saree. A round is the friendliest shape a saree can take — it reads clearly with the hair up or down, which a long drop does not. Warm wood suits cream, off-white, rust, mustard, olive, maroon and terracotta; cotton, khadi, linen and handloom especially.
With a kurta. Keep the fabric plain. A floral surface against a floral print is one pattern too many — solid ivory, ochre, olive or white lets the engraving show.
Everyday and at the office. At 4 cm this is a noticeable earring without being a long one. Nothing swings past the jaw, so it stays practical for a working day.
With western wear. Linen, denim, a white shirt, earth tones. A carved wooden round reads as craft rather than costume.
The surface is already busy, so keep the rest quiet — no statement necklace competing at the same height.
Boxwood — a single responsibly repurposed hardwood, and the classical engraving timber. It is dense and exceptionally close-grained, which is what lets detail this fine be cut without the fibres tearing.
Flowers and butterflies, together, across the whole face of the disc — blooms, buds, leaves, wings and a stippled ground running right out to the rim.
Engraved — cut into the surface of the wood by hand. Nothing is printed, transferred or stuck on. The pattern has real depth, which you can feel with a fingertip.
Nectar. It is what draws a butterfly to a flower, which is the whole subject of the engraving.
A petal is a broad shape and forgiving of a heavy line. A wing is not — it needs fine, even strokes to read as membrane rather than as another leaf, and here the butterflies sit among the flowers rather than apart from them, so the eye has to separate insect from bloom in a composition where everything touches.
It is a deliberate choice and the harder one. A centred motif is framed by plain wood, which hides any unevenness at its edges. Covering the whole face leaves nowhere to hide — the cutting has to stay clean right out to the rim.
Yes. The honey tone is Boxwood's own, deepened by the cutting and polishing. Nothing on Madhulika is dyed or stained.
The disc is approximately 4 cm across. Noticeable, but nothing hangs past the jawline, so they stay wearable for everyday.
No. The pattern is cut into the wood rather than applied on top of it, so there is nothing raised for daily wear to rub off.
A soft, dry cloth after each wear, and a soft brush for the engraved lines if dust settles in them. No water, no soap, no alcohol-based cleaner.
Metal alloy, with a metal ring joining the hook to the disc. If your ears react to particular metals, please write to us at reachchandrakalakriti@gmail.com before ordering and we will tell you exactly what we know rather than guess.
Generally, yes. A round reads clearly whether the hair is up or down, where a long drop disappears against loose hair. It is also the shape that suits the widest range of face shapes and necklines.
No. This is a thin, flat disc in a light wood — a fraction of what the same size would weigh in metal, so there is very little pull on the lobe.
The design will match, but the cutting will be its own. Every disc is engraved by hand and the Boxwood grain differs in every offcut, so the depth and character of the flowers and butterflies shift slightly from pair to pair.
Boxwood is a dense, hard-wearing timber, historically chosen by carvers precisely because it holds fine detail without splitting. Handled with ordinary care — not dropped onto tile, not left sitting in water — Madhulika is made for repeated wear over years.
Please avoid it. Take them off before bathing, swimming or exercising. If they do get damp, dry them at once with a soft cloth and let them air fully before storing.
Both. A warm engraved round works against handloom and cotton sarees as naturally as it does with linen, denim or a white shirt.
Yes — an easy one to give, since a round suits almost everyone and there is no length or colour to judge. Every pair is quality-checked and packed in premium protective packaging.
Orders are dispatched within 2–3 working days. Inside India, delivery takes 2–3 days to metro cities and 5–7 days elsewhere, and prepaid orders ship free; Cash on Delivery is available at selected locations with a ₹50 cash-handling charge. We ship worldwide, with import duties and local taxes payable by the recipient. Please film an unboxing video when your parcel arrives — if anything is damaged, defective or incorrect, tell us within 48 hours on WhatsApp at +91 98301 50088 or by email at reachchandrakalakriti@gmail.com, with the video and photographs, and we will put it right.

Madhulika Wooden Earrings – Engraved Boxwood Floral & Butterfly Discs
Rs. 500.005 out of 5 stars based on 1 review
5/5 · namrata srivastava · 2026-09-11
One stop for customized hair accessories and hand crafted wooden earrings. Worth a buy!